what its really like to work in hollywood

Jason Ponic works in the heady world of Hollywood film and television by day and writes past dark.

Tips for working on a Hollywood moving-picture show set.

Working on a Movie Gear up

While browsing on Hubpages, I've noticed that there are dozens upon dozens of hubs on the topics of Contained Film, Short Film, and even Music Videos just in that location is piffling, if annihilation, on the bigger, more lucrative film industry: Hollywood.

As a resident of Albuquerque, New United mexican states, in that location are dozens of Hollywood movies that were filmed in the state. I accept been fortunate enough to be a role of several, including 2 Guns, The Lone Ranger, Longmire, and Breaking Bad.

There is no written rule book for working on a prepare, rather in that location is a complex unwritten doctrine that is rigorously followed. School will rarely ready you for what may happen. In fact, about of what you larn in a bones film class will exercise little to none to prepare you for working on a fix. Worried? You should be.

Based on my own experiences, I've decided to create a guide for those whose biggest dream is to work on a big-upkeep film. These tips will non just prepare you for the highly competitive world of Hollywood but if followed correctly, volition leave a good impression on the producers to telephone call you back for future productions!

The Reality of a Hollywood Fix

A Hollywood Film Set is a money-fueled freight train, charging full steam ahead while the crew perilously runs aslope laying down the tracks, digging tunnels and immigration forests. Nobody has the power to stop the train safely merely anybody has the power to derail it catastrophically. Tempers flare out of control, stress is rampant, and nobody wants to hear those words, "You fucked up!"

At any moment the train could claim a victim. You lot lose focus for one infinitesimal and the career consequences can be fatal. Likewise slow and you are left in the grit. Also soft and the train will run you down. Aggression, focus, proactiveness, and professionalism are your keys to success on a big-budget film.

The best comparison nosotros tin give to the scheduling and stress riggers would exist the military machine. You receive your orders, you report for piece of work, no questions asked. You do the work regardless of where it is or how long it takes. You lot leave just when dismissed, not before.

Questions to ask yourself when considering a career in filmmaking:

Are y'all prepared to work seven days a week?
Depending on the size and schedule of the project, movie productions can work upwards to seven days per week for weeks on end. Standard schedules are Monday-Friday with a predawn call on Mon and an overnight call on Fri, taking you into Saturday's morning time hours. Working Saturdays or Sundays are not uncommon, especially if the production falls behind schedule or has enough money to burn on overtime. No, yous may not asking days off. No, you may non ready your own schedule.

Are y'all prepared to work at to the lowest degree twelve hours per day?
The longest solar day I e'er worked on a film prepare was 26.5 hours directly without a break. It was deep in the New United mexican states wilderness 3 hours from home. My call time was 5:xxx AM on Friday and I did non begin the 3-hour journey home until 8 AM the adjacent morning time. On boilerplate, a prove volition film at to the lowest degree xiii hours per day. With wrap time included, you're on the clock for an average of 15 hours.

Are you prepared to work all night? For example, 5 PM to five AM?
Night shoots are a big reality of filmmaking, most every project has at least one. They are unavoidable and come with loads of challenges; pelting, snowfall, current of air, sub-zero temperatures. Slumber impecuniousness is a constant and very real problem. People take died as a outcome of the conditions.

Are yous comfortable taking orders from someone younger than yous?
Dissimilar other career or working environments, the film industry has admittedly no bookish or age requirements. Requirements are set forth past individual unions and studios based on years worked in the industry and the people you know. As a result, if someone got an early start in the manufacture at a young historic period, they accelerate upward sooner. It's common to see a boss giving orders to folks 10 to even 20 years older than they are.

Are yous prepared to drib everything at a moment's detect and report to work?
The film industry is notoriously terminal minute. Schedules are drafted on the wing and are always in flux. A last-second scheduling change can leave departments scrambling to observe manpower ofttimes with less than 12 hours to observe willing/available people. Because you are not experienced plenty to be a full-time hire, y'all are a twenty-four hours player: someone brought in on an as-needed footing. Every bit such you must be willing to be on call 24/seven.

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If you answered 'no' to any of the questions above, you may want to consider a different career.

What is a Product Assistant?

The Product Banana is the infamous bottom rung of the entire film industry. PAs bear the burden of all jokes, acrimony, and hatred. Oft portrayed by media as the glorified coffee runner, hazed at every turn, fired after making a single mistake, and worked to the point of death. They are the pledge form of the set.

In reality, a production assistant plays a key role in the efficient and successful running of a picture show product. Without them, a pic prepare but could non office.

Types of Product Administration

There is no one overarching, all-encompassing, position description that fits the Production Assistant. In fact, the title is given to dozens of individuals throughout the production, bureaucracy is established based on experience.

Hierarchy:
Key PA - Production Assistant with the almost experience and the one who generally supervises and delegates all other product administration under them. Responsible for relaying directions from the ADs. Annotation: Not all productions will use key PAs.

Staff PA - Staff PAs AKA Set PAs are hired for the unabridged duration of filming through the Assistant Director Department. Ofttimes charged with a specific job or duty during production.

Additional PA - Besides known as a 'Day Player', these individuals are hired on a day-past-24-hour interval, as-needed basis. Their duties are restricted to very basic tasks, such as road lockups or extras wrangling. Additionals tin exist hired through any department.

Department PA - Individuals hired for the individual departments within a production.

Office PA - Production Administration hired to work in the production office. Duties include running lunch, function supplies, mail service and/or secretarial piece of work.

RULE #1: Exist Prepared to Driblet Everything if You Get Called.

Whatever hesitation will price you your chance. The odds are in the house's favor, not yours. Any hesitation and the production will immediately movement on to the next person on the list.

Wrong Answers:

• "I have to bank check with my [wife, work, schedule]..."
• "Can I become back to yous?"
• "What will I exist paid?"
• "How long will it be for?"
• "OMG! Actually!?"

Correct Answers:

• "Yes, I tin."

Members of the Hollywood picture show industry will often remark that film is their religion and stress is their spouse. That isn't much of an exaggeration. For big-budget films, Sundays are frequently the busiest days of the shooting schedule, especially when the production falls behind schedule. While some productions may conform religious requirements once y'all're established, as a no-name rookie, your chances are slim to none.

Clear your schedule, completely. There are no office-fourth dimension filmmakers. If yous go the call to piece of work on a picture, you must be fully prepared to commit days, even weeks on stop. Say you're asked if you are gratis on August 1st to piece of work. What they are not telling yous is that you may also be working on August 2nd, third, so on.

My job interview to piece of work on The Lone Ranger consisted of a text message from the Cardinal Set PA.

KEY SET PA: Yous free to work tomorrow on Lonely Ranger?
ME: Yep I am.
KEY Gear up PA: Ok putting you on hold.
ME: ten-4.

2 HOURS LATER

KEY Fix PA: Set is on XX west go out XXX you make a right at the gas station upwards the dirt road to Crew Parking. 6:00AM Telephone call.
ME: 10-4.

And with that, I was hired onto Lonely Ranger.

RULE #2 Be Prepared to Work equally a PA. Hard.

The workload is predictably overwhelming. Yous may find yourself working seven days a calendar week at 12-18 hours a mean solar day, often for weeks on cease. Burnout is very high, and is usually compounded by the family unit problems the chore causes. Divorce and breakups are commonplace.

Feature films can shoot six days a calendar week for an average of 15 hours per day. There are few if not any breaks during the mean solar day. For those working in any of the production departments, if you are a foreigner or have worked less than 300 hours on a matrimony characteristic film set up, and then your chore will be a production assistant. That is an unavoidable reality and every member of the marriage crew has had to do it.

Tips Every Person Should Call back:

1. Remembering Everyone and Everything: This will make you or pause you lot. Asking people multiple times for their names is insulting and in some cases career inhibitive. You must be prepare to remember everyone's proper noun the first time y'all hear it, know which position they are and where yous tin notice them. Several members of the crew had the same name and information technology is your job to know who is who. TIP: When a person introduces themselves, immediately look them up on your call sheet. It will assistance in the memorization process.
2. Agreement the Radio: The radio is a never-ending blurb of chaos silent just when the cameras roll. You must take a expert ear and always be listening for when your name is chosen. In my case, it was exceptionally hard equally the department 'Location' often sounded like my name 'Jason' over the radio static. Never reply a radio call that is not yours. Productions will often employ multiple channels: For case: Aqueduct 2 for Calling, Aqueduct five for Long Conversations.
3. Exist Aggressive: A PA is a lightning rod for hate and frustration. Many department personnel have their own calendar and volition push past you lot regardless if at that place is a lockdown in progress or not. Your job is to protect people from themselves and be that repetitive voice that tells everyone to stay back. It is very taxing merely you cannot terminate.
4. No Egos: A PA is at the bottom of the totem pole and nothing more than a walking eggshell. Regardless of how much independent picture show you've washed or how old you are, your job is to do those jobs nobody else wants to practise. It doesn't thing if you are a military machine veteran or a high school student, if your ego cannot handle being at the lesser, getting yelled at, or ordered around then yous accept no business being on a film set up. Period.
5. Thick Skin: You will be yelled at, anybody will. Information technology is a fact of life. Especially when the production starts experiencing problems or if you are non doing something you are supposed to. Take cypher anyone says personally. At the end of the day, everything is h2o under the bridge. Holding a grudge against someone because they yelled at you, will just hurt you, not them. Never shout or talk back.
6. Operating out of Your Condolement Zone: If yous have difficulty multi-tasking, hate surprises, or cannot recollect in the moment, then Hollywood probably isn't for you. Ane moment you could be sitting at a route lock up doing nothing, ten minutes afterwards you could be thrown the keys to a rental automobile and ordered to choice someone up from the hotel or aerodrome. Which hotel? It'southward up to you to observe out. How? Ask lots of questions.

Rule #3: Distance Matters Not

One way to gain the respect of the coiffure is to demonstrate that y'all are willing to go to great lengths, and distances, to work in the picture show manufacture. The concluding week of my extent on the Lone Ranger took place in Los Alamos, New Mexico, a full ii hours drive from where I live in Albuquerque. For crew members that are hired on a day-to-day basis, you are rarely compensated for whatever costs that may exist incurred, such as gas, mileage, food and lodging.

KEY Prepare PA:
"Hi Jason, I was wondering if you'd similar to work on Alone Ranger this calendar week. Now before you say yes, we are shooting in Los Alamos. Call is at 5:30AM and then you volition demand to get out Albuquerque at 3:30AM. Yous will not be compensated for gas, lodging, or mileage. Would you nonetheless like to come?

ME:
I will exist there.

Primal SET PA:
Thank you lot then much!

50 MPH gusts with severe sandstorm warnings.

Working Conditions

As with every picture production, y'all really don't know what to expect until you arrive on set for your outset day. But you lot should prepare for the worst kind possible. I'yard talking about standing in the same spot for eighteen hours direct, without any pause, dying nether the beating hot sunday while getting blasted unmercifully by an unforgiving sandstorm while still trying to radio, exercise your job and without getting yelled at. Think I'yard exaggerating? Simply ask whatever member of the Long Ranger production staff.

The calendar week of May 21-25 was a Dust Bowl. With gusts upward to 70 MPH at times, the grit in the air blinded anybody and got everywhere. At times, my vision was reduced to just a few feet in front end of me. Sand ripped into my sunburnt skin causing it to bleed in some places. It got into my ears, my optics, my lungs, my rima oris. It's such a wonderful crunching audio when you rub your teeth together. Filming was shut downwardly a number of times every bit we waited for the wind to break but for a few precious seconds.

The week of August 1-four in Los Alamos was a nice change in scenery. As many of the full-time coiffure remarked, it was the first location of the unabridged prove to have shade! Not to mention a comfortable temperature and breathtaking scenery.

Yep. Sand in the wallet.

Duties of a Fix PA

1. Runner: The myth is truthful. Running coffee and food is the number one job of any production assistant. Each morning, the actors will give out their breakfast orders. Make sure yous get exactly what you lot were asked to get. Don't ask useless questions, and exercise non complain.
2. Lock Downs: When the set locks down, unremarkably for filming or crew breaks, nobody and I mean nobody, is allowed in or out. If your boss (Key Fix PA or Advertisement) says, "Lock it downwards." you, nether penalisation of termination, cannot let anybody past the lockdown point. It does non matter who they may claim to be or what title they endeavour to force down your pharynx. A lockdown is a lockdown.
3. Flushing/Bleeding: Always ask, 'Who?' 'What?' 'When?' 'Where?' and 'Why?' Herding or 'Flushing' as its chosen on set, of people and vehicles is a never-ending grind. 90% of your time will be directing an endless caravan of people or vehicles whose passengers range from the executive producer to the extras. Yous demand to be vigilant and know exactly who is in each of the vehicles at all times. Only if they are crucial to the scene, then they are given priority on a traffic flush, if non, then they must expect.
4. Emergency Vehicles: Every bit per strict Osha, union and insurance requirements, all emergency vehicles must be costless of obstructions at all times on set. Section personnel continuously park in front end of emergency vehicles and it is your job to always ensure that a path is open.
5. Phone call Sheets/Sides/DOODs: A never-ending task of a PA is to pass out call sheets to the crew for the next 24-hour interval's shoot. Sides are by and large distributed at the beginning of each day. 24-hour interval-Out-Of-Days or DOODs are passed out when required.

LADY: "I have a 3:00 PM flight to LA I cannot miss."
ME: I'm sorry merely we are Locked Down.
LADY: "Do yous have any idea who I am? I am a representative of the DGA and I cannot miss this flight."
ME: "I'm lamentable, it's a Lock Down. AD's orders."
LADY: "@$#$*"!!

Best Means to Get Hired.

Past now, you lot are probably request, "Well how do I become hired?" The reply is rather complex. In that location is no official way to get hired onto a production. 9 out of 10 times, it is considering you already know somebody who works in the film industry who can recommend you to a production coordinator. Occasionally you'll get lucky and find a posting for a bones PA task on Craiglist or a film forum but those are rare. Here are the almost common and most effective ways to intermission into the film industry.

• Get to know someone who already works in the industry. In that location is a big difference betwixt getting to know someone and only asking the beginning person you lot meet. Members of the industry are literally bombarded daily with requests, and in some cases, demands for work and jobs. Like the junk mail in your email, those requests are ignored. Taking the time to get to know someone first shows them that you are willing to make a respectful effort and, most importantly, show you are willing to be as patient every bit possible.
• Working in the Product Part. Onset, it can be very difficult to network, especially since everyone is busy, there are problems, or people are as well tired to remember. The production office, while non the nearly glamourous task, is an easier opportunity to network. Part PA jobs are as well easier to obtain. The responsibility is much higher, equally is the stress and chances of making a career-threatening mistake. The trade-off is yous are working straight with the Product Coordinators who are responsible for almost of the production'southward hiring and may even work directly with the film's producers. You are constantly interacting with people from multiple departments and even other productions if yous are working in a studio environment.

How Long Does It Accept To Interruption In?

Just because someone works a day or two on a big flick does not necessarily mean your establishment in the industry. An individual would work a twenty-four hours on The Alone Ranger and so not be called back, either until months later on or not at all.

Some of the virtually mutual reasons you were not called dorsum

• You didn't connect with enough people. If you are not on salary, numbers and contact data are rarely passed on. The individual who hired you lot could leave the picture for a better offer and your number volition quite literally leave with them.
• Yous assumed instead of asking questions. Repeatedly assuming answers instead of asking for the right one will get you fired faster than any other mistake or behavior. For case, say your boss, the APOC (Banana Production Coordinator), asks you to deliver an important document, usually a check or memo that requires a signature, to a specific individual onset. You go far and find that said individual is decorated with a shot or is otherwise unavailable. Some other individual approaches you and says "I'll sign for him" and you say "Ok". That seemingly innocent gesture could, under the right circumstances, only got you fired. This is considering you assumed that the document would accomplish its target person instead of asking for farther education from your boss.
• You were not ambitious enough or failed to make a good impression. There is a fine line betwixt being aggressive and existence egotistical. The crew has a very tough skin and tin can handle just about annihilation that someone says. But yous can notwithstanding offend someone if yous mutter, attack someone personally, use profanity or slurs. Professionalism is your key to a skilful impression.
• Wrong Attitude on Set. A pic prepare is difficult and chaotic enough, especially when the sixteenth or seventeenth-hr rolls by. The last thing the crew needs is a self-absorbed individual who complains for any reason. "I'm bored" "I don't feel my skills are used properly" are decease phrases onset and will win no sympathy from the coiffure. Silence, Obedience and Patience will win respect not Lament, Attitude, or Arrogance.
• Yous fabricated a serious 'harmless' mistake. In that location is no job training for a picture show fix. Film School will do niggling to railroad train you lot in basic jobs than are more likely to get yous fired. A harmless error such as accidentally filing papers incorrectly, getting lost while running an errand or forgetting to double-check a lunch club before delivering it tin cost you your task in the right circumstances.

Wait no real progress for at to the lowest degree several years and your establishment is entirely on your shoulders. Unlike a traditional job where once a yr you are up for review, promotion and advancement, in motion picture some advance in three months, others have 3 years or more. Even union workers are not guaranteed permanent establishment.

Terminology of the Set

Only like in a restaurant, jargon has been coined that every member of the production team uses. Knowing the most mutual slang ahead of time can profoundly reduce the defoliation y'all may experience on fix.

• Hot Brick: A charged radio battery. Everyone should accept at least ii extra batteries with them at all times. If someone asks you "Do yous take a hot brick?" You best have one.
• Landed: Arriving on set. This term is used to depict things that have arrived at the immediate filming location.
• Flushing or Bleeding: Transporting people or equipment across an active film set.
• French Hours: No meal breaks! Food is passed out on set and people stuff it down whenever they can, where ever they can.
• Honeywagon: Toilets. This ane'due south of import!
• Gator: ATVs used on set for whatever purpose. Despised for always getting in the way of shots or ruining photograph terrain.
• 10 -O-One: "I need to use the toilet."
• Football: The squeeze box binder that contains all important paperwork at the end of each shooting day. Files included in the football are: Schedule Chiliad, Daily/Weekly Time Cards, Catering Receipts, Production Reports, Script Reports, Camera Reports, Lost/Damaged Equipment Forms and Injury Claims.

Paid or Unpaid?

Unpaid positions be on all levels of product, from low-budget to blockbuster, and tin can be equally as valuable as a paid job. The reality is that there are far more than unpaid opportunities than paid opportunities for a beginning product assistant. The dominion of pollex is never to pass up an opportunity when you lot are starting out, regardless if it's a paying job or non. Of course, i has to evaluate their financial state of affairs when considering an unpaid position. Some unpaid positions can terminal for weeks, even months and are rarely part-time. Spousal relationship hours can yet exist earned on an unpaid job if the production is union accredited.

Building Your Fix Kit

A prepare kit is an essential part of any staff gear up PA. While the exact contents of which vary from person to person, having a kit onset is a crucial part of making your job easier, especially during those hell days where you lot have little fourth dimension to think. Most set kits are created at personal cost. Some completed kits tin can be passed downwards from those who no longer demand them such as PAs who have finally gone DGA.

A football game way set box.

The Set Box . A simple piano accordion-way football game that contains the most ofttimes-asked-for paperwork of a product. In that location is no requirement as to exactly what is inside but forms that yous should consider including in your set box are:

• The Script
• Script Revisions
• Timecards
• One Line Schedule
• Twenty-four hour period-out-of-Days or DOODs
• Photo Releases
• Coiffure Lists
• Outset Piece of work
• Extras Vouchers
• Extras Breakdowns
• Daily Time Sheets
• Incident Reports
• Loss & Damage Reports
• Workman's Comp Forms
• Box Rental Forms
• Footling Cash Envelopes
• SAG Forms

Marisa Writes on July 05, 2020:

I'd honey to selection your brains for some very basic information on what happens during a take - terminology used etc - simply it seems that you don't allow other HubPages members to bulletin y'all. If past whatsoever chance you're willing to help, y'all can message me through my Profile. It's for a short scene in my novel. I volition keep my fingers crossed.

Andrew Kunkel on June 01, 2020:

I know working on motion picture gigs might not always be consistent. Practice you have any recommendations of jobs or other ways to make money in betwixt gigs?

Andrew Kunkel on June 01, 2020:

I know working on flick gigs isn't always going to exist consistent. Exercise have any recommednations of jobs or other ways to make money in between gigs?

mluleki mtinya on December 09, 2019:

I would love to exist new great team fellow member willing to larn likewise as work difficult through this industry and develop an exel model

Joshua on October xx, 2018:

I will do annihilation and and piece of work to the superlative

Dominic on Oct thirteen, 2018:

Thank you a lot! Very helpful!

Luk on May 24, 2018:

HeinrichBuys If I was to do it over over again, I wouldnt got to film school. Id go to LA or other cities where shows/films are shot equally soon as I hitting xviii years old. I did this at age 23 and i easily got hired every bit a PA by getting on sets through being an actress. DUring free fourth dimension I walked around set and had polite conversations with any crew and catering. FInally a catering guy I had a nice conversation with introduced me to a PA and I had business cards ready. Yous will learn a lot on ready past working difficult, and having curious polite conversations with the different crew when they aren't very busy. Don't arroyo a motion picture career if you aren't certain what your focus is. EIther know what u want to commit to or do something else. Lots of people become into the film industry not sure what they want so they are stuck being expert at a position they aren't all that fascinated by.

Chris on February 11, 2018:

Wow. This seems so involved it'southward like boot military camp.

HeinrichBuys on Oct 17, 2017:

Hi Jason !

Im tryna make up one's mind what to study and motion-picture show was always my dream. The problem is Ive heard a lot of people say to not study film, just offset directly after schoolhouse with for example a PA on any ready, become experience and take it from there. I also live in South Africa, a country where film is simply starting to actually take off.

What would you lot say would be the all-time thing to practice. Study something in line of film ? Also should I rather attempt America for case rather than SA where motion picture is still very young.

Im nigh 18, if you wondered.

Cheers for your fourth dimension, Heinrich

Jason Ponic (author) from Albuquerque on October sixteen, 2017:

Move to a state that has active picture show product and start networking. It'southward not easy, but the only style.

Josh on October 16, 2017:

Hello Jason!

Cheers very much for this article. Do you have any advice on what a 19 year old college student in Boston should do if school isn't for him and he really wants to discover work on a gear up and starting time working?

Thanks again.

Jason Ponic (author) from Albuquerque on September 23, 2017:

Nope.

Brandon Payne on September 22, 2017:

I thought there were laws against working more than 18 hours a solar day

Jason Ponic (author) from Albuquerque on September 11, 2017:

Depends on the region. I've heard x-0-1, 10-1 or 10-100

KRey on September 07, 2017:

"I'k going to the bath" is actually '10-100', most oftentimes shortened to '10-1'.

Faith Toledo on June 10, 2016:

Very informative, thanks then much for sharing your knowledge. Really makes you remember, if this is the career you lot want to pursue or not. I volition like to know your thoughts on being starstruck.

Brandice Lawson on Oct 14, 2014:

Well washed! I would add, don't get caught continuing together with other PAs, sitting or reading on set, unless it'south a call sheet or sides. Rookie mistakes are like shooting fish in a barrel to brand when you lot're greenish and then being observant and staying in your lane is the best thing to do starting out. Too, always exist on your game. You lot never know who people are or the power they have. If yous worked on Longmire, nosotros know a lot of the aforementioned people. Mike Robin is one of the all-time people to work for in this business and he notices everything. He'southward extremely talented, knowledgeable, appreciates hard piece of work... And he expects it.

drasko movie director from Europe on September 20, 2014:

Very adept text,realistic.My close fiend is Bojan, DP of Lone Ranger.In my state I piece of work with actors from Holywood,they are very pro,and we work here non too hard,because we are not Holywood Manufacture.No schoolhouse for this,I am graduated at Film Academy,but yous must piece of work on set amidst filmcrew. Cheers

Jason Ponic (writer) from Albuquerque on July 19, 2014:

Networking, that's your key to breaking in.

Zafran on July 18, 2014:

It'due south my dream wish I work in Hollywood

aryan hasan on July xiv, 2014:

Hi sir

Jason Ponic (author) from Albuquerque on November 27, 2013:

The best propose I can give is be prepared to travel to the work, even if its on your own dime.

Rachel Perez on November 27, 2013:

I was wondering if you had any advice for a college student looking to go in a career in flick.

pavan on December sixteen, 2012:

i am an indian and i am very poor no money just i really want to work in hollywood and i am ready to practice any hard work nether whatever circumstances delight any one help me...this is my humble request delight

Jason Ponic (author) from Albuquerque on September 26, 2012:

I quite concur.

James Mendes. on September 22, 2012:

Where there is hardship there is hard work and a fruit of success.

Jason Ponic (author) from Albuquerque on May 15, 2012:

Joe Southern, I would be happy to! Give thanks yous for your offering! I'll be able to talk about it after the movie's release.

Joe Southern from Rosenberg, Texas on May xv, 2012:

I know you can't say anything now, but when you lot are costless I would love to interview yous nigh your experience on the Alone Ranger fix for the Lone Ranger Fan Guild.

Jason Ponic (author) from Albuquerque on May 10, 2012:

Moving-picture show sets are exciting to work on. In a fashion the set terminology is similar learning a new linguistic communication.

Christy Birmingham from British Columbia, Canada on May 06, 2012:

Well explained here, I like the part where you lot explicate the set terminology.

Jason Ponic (writer) from Albuquerque on May 04, 2012:

Indeed!

heatherdos on May 04, 2012:

Very Authentic! Hard piece of work but it can also be fun!

Jason Ponic (author) from Albuquerque on May 03, 2012:

Thanks! My next lens just might be that topic!

Ask Ashley from California on May 03, 2012:

Interesting. Is your adjacent hub going to be on how to become on that product list? Voted up.

And welcome to Hubpages. I see you've wasted no time. You already have more than hubs than me!

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Source: https://reelrundown.com/film-industry/Your-Survival-Guide-to-Working-on-a-Hollywood-Movie-Set

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